Taking advantage of the new expressive possibilities opened up by improvements in the design of the clarinet, Mozart created a concerto of exquisite beauty — one of the last works he would ever write.

Tale Ognenovski with his son Stevan Ognenovski, Mag. Scient. arranged for two clarinets Musical Masterpiece “Clarinet Concerto in A major, K. 622” composed by musical genius Wolfgang Amadeus Mozart ...

Written in 1789, music lovers describe the emotional impact of Mozart's Clarinet Quintet. From March 2011. Show more Mozart's Clarinet Quintet was written in 1789, two years before the composer’s ...

One of the greatest works in the clarinet repertoire, Mozart’s Clarinet Concerto in A, has an unexpected new part. In this video from 2014, Facebook user Lorenzo Baldini has augmented a key section of ...

Clarinetist Martin Frost's recent Weber was exceptional, warranting an appraisal of his earlier Mozart clarinet music. It is difficult to overstate the cultural value of Mozart's Clarinet Concerto and ...

A celebration of some of Mozart's greatest woodwind concertos, in Claudio Abbado's 80th birthday year. Drive Featured Album, 22 April 2013. If this album is anything to go by, there's a reason ...

When Michael Collins has given so many inspired performances in concert of Mozart’s supreme masterpiece, it is surprising that we have had to wait so long for a recording from him. Yet what a bonus ...

Paul Meyer takes the solo spotlight in the Clarinet Concerto by Mozart. Meyer's performance comes from a concert he gave with the North German Radio Symphony and conductor Eiji Oue. After the Mozart, ...

Add articles to your saved list and come back to them any time. Nicole van Bruggen owns one of the rarest and most historically significant instruments in Australia, partly invented by Mozart. Yet her ...

The Dallas Symphony Orchestra’s Thursday night concert made news. Assistant conductor Shira Samuels-Shragg made her unscheduled classical series debut, subbing for music director Fabio Luisi, who was ...

The clarinet has long been a standard member of any symphony orchestra, but in Mozart’s day, the instrument was relatively new technology. Some orchestras had them, some didn’t, and the particular ...