The acclaimed US opera singer refuses to restrict himself or his audience. His current Barbican residency sees him range across genres. Always ask questions, always engage, he says. He talks ‘capital ...

With her emotion-evoking operatic range and soprano heights, Dominican opera singer Zuly Inirio is challenging whose voice is embodied and heard throughout the genre. She first saw an opera — “La ...

On May 7, 1964, the curtain went up on Puccini’s “Tosca” at Seattle Opera, marking the newly founded company’s first production. To celebrate its milestone 60th anniversary, Seattle Opera raises a ...

Performances in N.Y.C. Advertisement Supported by During a break at the Royal Opera House, Aigul Akhmetshina discussed her action-packed career, “Carmen” and her mission to spread her love of opera.

Bienen senior Emily Amesquita won an encouragement award at the Central Region competition of the larger Metropolitan Opera Laffont Competition, a nationwide classical vocal competition helping to ...

“Tomorrow, and tomorrow, and tomorrow.” The opening words of Macbeth’s famous soliloquy come to life this weekend as three performances of a combined opera, ballet and classical music production based ...

Opera singers have to use the extreme limits of their voice range. Many pedagogical and scientific sources suggest that the highest pitches reached in classical singing can only be produced with a ...

Women make up half the world, but their music has been only a fraction what’s been featured in the last few centuries of classical music programs. That’s changing, as this season’s splendid ...

From left: Amber Farrell, Alyssa Becker, Kyle Trombley and Dr. Daniel Carberg, cooridnator of vocal activities. Alyssa Becker ’22 has a tough time not smiling. It is her nature. But then there is ...